We chatted with John Berry about his most recent paintings
Can you describe this body of work and what inspired it?
"… I do not think of it as a "body" of work, there's not a starting or stopping point. It is just one stream of consciousness that has come from inside. As far as inspiration, I am not sure I have inspiration per se, rather, what is in my thoughts or what is currently happening in my life, that is the genesis of all my work..."
Could you talk a little about your process?
"… Routinely I try to change the way I work. Whether that is starting differently or using different materials or ways of application. I try to constantly mix it up, make myself uncomfortable with what I am doing. Even buying arbitrary colors... By doing this though, I hope to let each work become what it needs to be, if I am doing the same routine over and over, I feel it becomes stale. I think you can see this if you look at my work over the last few years."
Do you listen to music while you paint, if so what have you been listening to recently and does it influence the work?
"Yes, I do. It always influences the work in one way or another... Music produces such an emotional response, whether it is the pace, sound, nostalgia etc. So I usually select music that is in rhythm with my feelings for that day. But sometimes I do put something on that is the opposite of what I'm feeling, that is always interesting... It will range from Indie Rock to Reggae to Classical, to 80's music I grew up with, but more times than not it is what the kids call Alternative. Spoon and Metric are my favs."
What have you been reading?
“The Last River”, a nonfiction story about people trying to kayak a river near Nepal, that has never been run before. I like adventure stories, but if you wanted to get artsy, I did recently finish a biography of Matisse. Biographies of artists are a mainstay of my reading, go figure."
Can you talk about how you come up with the titles of your pieces?
"Most of the time my titles come from songs or phrases I read or hear that resonate with the piece. Sometimes they are straightforward, sometimes I try not to reveal directly what I was thinking or feeling, just hint at it... I hope by doing that I let the viewer fill in the gaps, make the piece their own. Kind of like connecting the dots, that is the hope anyway."